In a (somewhat) hipster-ruled electronic music scene where the creeps over at Boomkat promote beat-based albums as heaven sent on two conditions:
1) They sound as if made by an 1982 Cassio, (with lots of hand-clap function).
2) They are composed of metal hitting metal (the beat) in a stripped-down “techno” mainline that exceeds 120 bpm’s. And in addition to this rhythmic cacophony there must be an headache inducing screeching in the background.
This is a fun departure from that, that’s all.
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In a (somewhat) hipster-ruled electronic music scene where the creeps over at Boomkat promote beat-based albums as heaven sent on two conditions:
1) They sound as if made by an 1982 Cassio, (with lots of hand-clap function).
2) They are composed of metal hitting metal (the beat) in a stripped-down “techno” mainline that exceeds 120 bpm’s. And in addition to this rhythmic cacophony there must be an headache inducing screeching in the background.
This is a fun departure from that, that’s all.