nice… you’ve certainly peeked my interest and I have yet to see the film, but one can certainly sense its stupendous gravitas.
The film was scored by Max Richter, but I have yet to hear it as well, how was it?
You know, I don’t remember any of the OS , but if I had to describe it I’d say it was… poignant yet non-referential. Yes, that’s it.
As far as the gravitas, it was indeed stupendous. The ending leaves a little to be desired but it is Hollywood after all.
Just being elliptical yet nonplussed this fine morning.
ShirtMay 28, 2017
What if we haven’t seen the film, would this ambient/musique concrete/techno be worth our paramount interest? The Cinema is expensive these days, twenty bucks a pop and in most cases the film never rises to the heights of even a slight bit of interest yet alone paramount. What to do on a Sunday evening broke.
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Having just watched a very momentous film, Arrival, I find the listening of this ambient/musique concrète/techno LP to be of paramount interest.
nice… you’ve certainly peeked my interest and I have yet to see the film, but one can certainly sense its stupendous gravitas.
The film was scored by Max Richter, but I have yet to hear it as well, how was it?
You know, I don’t remember any of the OS , but if I had to describe it I’d say it was… poignant yet non-referential. Yes, that’s it.
As far as the gravitas, it was indeed stupendous. The ending leaves a little to be desired but it is Hollywood after all.
“poignant yet non-referential.”. What a review, whatever the hell it means.
Just being elliptical yet nonplussed this fine morning.
What if we haven’t seen the film, would this ambient/musique concrete/techno be worth our paramount interest? The Cinema is expensive these days, twenty bucks a pop and in most cases the film never rises to the heights of even a slight bit of interest yet alone paramount. What to do on a Sunday evening broke.
Insert Debbie Downer GIF here