pye corner audio’s techno ambient project. thanks nodata =)

As Martin Jenkins explains :
“It’s really satisfying to set up patterns on each machine, let them run and tweak and adjust as the track unfolds. All of these pieces were initially live takes, with just a couple of overdubs and some edits to tighten up the arrangements. I have a bit of a love/hate relationship with the 202, I can’t get enough of that square wave bass that it does, but it’s such a beast to program.”